Now here’s something to get excited about: The Whitney Museum in NYC is showing some recent acquisitions of Edward Steichens work, mostly portraits, done for a variety of clients, chief among them Conde Nast, aka Vanity Fair. That should fascinating and superbly interesting.
The show runs from Dec. 6 2013 till February 23. So come for a visit…I can’t wait for the opening.
Another must see exhibit by one of my favorite Places in the world. And Man Ray should be a draw to anyone anyways, wherever he’s shown. And this is astonishingly the first major retrospective of his work.
I can’t wait to see it in person.
Here’s a great article in the Telegraph, discussing Catherine Deneuve’s last sitting with him.
Great exhibit on photography and it’s manipulation over the decades. Nice to bring this back into peopels minds what was done prior to Photoshop.
One of the most prominent examples i recall seeing recently was a Christie’s auction a couple of years back, the retouching on the original print on the waist in Horst’s famous “Mainbocher Corset” image. Scrapped off waistline then repro-photographed and reprinted, classic. But unfortunately not in this show.
Looking at my own career, i have to say that i’m fortunate and thankful to have learned and worked on some multilayer composites in the darkroom/repro camera while starting out at Henner Prefi’s studio back in Frankfurt. Nobody was doing that kind of work that i ever seen before. We did a lot of comps for Deutsche Bank but also great projects like the Homage to Giorgio Morandi in 3-7 layered photographs and multilayered jewelry photography.
Anyways, a great quick visit to the Metropolitan Museeum is always fun and this exhibit a great standout, open till January 2013.
Great story and as a fan of AA i can’t wait to see the whole lot. The published images are great and show the appliction of great photography in a commercial project and the commitment from such an outstanding instituon to use oustanding talent to get their image across.
Check out the article at the San Francisco Chronicle:
Camen Dell’Orefice is showing her body of work as a model over the last decades at the London College of Fashion.
She’s such a great character and one of the most standout models i ever met and had the pleasure working with in Paris.
I can’t wait to see this and if you’re in London i highly recommend this treasure of fashion photography history.
Carmen: A Life In Fashion’ runs from Wednesday, November 16, 2011 to Saturday, January 14, 2012 at the Fashion Space Gallery, London College of Fashion, John Princes Street, London W1; fashion.arts.ac.uk
Always loved his work, straight forward that reminds me of August Sander great look at the Germans early 1930ties, just with african charm. The eye of Bamako is a great show in a great space, up till April 9, 2011 , so if you’re in LA you have to swing by
M+B 612 NORTH ALMONT DRIVE
LOS ANGELES, CALIFORNIA 90069
The Luminescent ocean view, the scenes on the beaches. Interesting how it can all remain in the vision of the sea in photographs. I felt very connected to the light and decisive play of light, shadow and clouds that create such a great pallet of colors. One can nearly smell the ocean and salt in the moist summer air.
Still up for a couple of days at the Royal Academy of Arts, London, just around the corner of our new favorite, the Brown’s Hotel on Albermarle.
I always loved the Atget view of Paris. I still it believe it exists, those quite moments in a large city and especially in Paris. They make every city magical, otherworldly, quite; an emotion that’s very hard to comunicate. And Atget stands the test of time.
On the other hand the great self build camera and the resulting images that Miroslav Tichy creates, come straight out of his phantasy, well excuted with a handmade edge that seems to be disapperaing very rapidly these days.
The Hampton film festival, what a surprise. I have to go there more often. Besides the panel yesterday, I’m again very impressed with a movie.
“Learning from Light”, which photographer wouldn’t want to see this, is a documentary on the great architect I.M. Pei and the construction of the Museum of Islamic Art in Doha, Qatar.
Besides the introduction to his creative process and research, the difficulties of the construction itself, it was a fantastic revelation of one of the greatest minds of our time. And I loved his devotion and observation of light, it’s quality; the appreciation of the singularity of sunlight and the usage of simplistic shapes, along with his humor and Great Spirit.
Mr. Pei himself being present for this world premiere topped all of this. What a treat on a Sunday morning…
Now if I could watch this in HD. Somebody has to pick this up for distribution.